It would seem her ending was not the happy one everyone had witnessed before the credits rolled. But she’s a different Lightning, a woman now adorned with plate armor, a shield, and a cloak of feathers draping at her side – a divine soldier of sorts.
A spectacular sequence of CGI and admirably done interactive action scenes – tightly woven around composer Masashi Hamauzu’s yearning violin and orchestra – reacquaints players with Lightning, the heroine of their previous adventure. Instead of Final Fantasy X-2’s summoner turned pop star, however, Final Fantasy XIII-2 sings to a more serious opening tune. The second attempt to append the ‘-2’ to a Final Fantasy title launches in a fashion even more ridiculous than what fans may remember of Square’s first stab at the idea. "Why didn’t Square just make Lightning a pop singer and call it a day?" Final Fantasy XIII-2 (PlayStation 3) review
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